OPAMP
The op-amp (operational amplifier) is the chip that does the voltage
amplification in the PPA circuit. It has the single biggest effect on
the amp's sound of any component, so it behooves you to pick this part
carefully.
Most any op-amp can be made to work in the PPA board, but some are
more suitable than others. Unless you've got some serious electrical
engineering chops, you should only use FET-input op-amps. Bipolar-input
op-amps can be made to work with some careful design, but it's not
easy.
The canonical part for this amp is the Analog Devices AD8610. This
part isn't terribly expensive, it sounds good, it has low current draw,
and it works well down to fairly low supply voltages (5-6V) with most
headphones. It's a lively sounding chip, but not harsh. Some prefer the
laid-back sound of Burr-Brown chips instead; we recommend the OPA627.
For the left and right channels, you can also use the OPA637; you
shouldn't use this on the ground channel because it should be configured
for unity gain, and the 637 isn't unity-gain stable.
There are many other good-sounding chips out there. What you're
looking for are single-channel FET-input low-distortion low-noise op-amps
available in DIP-8 or SO-8 packages. (Whew!)
For more details about op-amps, see the companion article,
Notes on Audio Op-Amps.
Q3
These JFETs provide isolation between the high and low-current sections
of the power rails. This means that any ripple put on the rails by the
high-current output section will be greatly attenuated by the Q3s so
that it doesn't disturb the op-amps and other delicate input circuitry
as much. The Q3s will also remove some power supply noise, too. I have
measured isolation ranging from 16dB to about 30dB.
In this version of the PPA, the only supported configuration is to
populate all 6 positions.
You want each JFET's IDSS to be at least as high
as the op-amp's current draw, plus enough extra for the
cascode JFETs and other small current drains
surrounding the op-amps. For instance, let's say your op-amp has a
quiescent current drain of 5mA, and you've biased it into class A with
1mA through the cascode JFETs. Therefore, you'd need a bit more than 6mA
through each Q3 at absolute minimum. The 2N5486 with a minimum IDSS of
8mA would do just fine. Or, you could measure the IDSS of some 2N5459s
(range: 4-16mA) to find some that are high enough.
If you want to be able to swap different op-amps in without changing
the Q3s, be sure to pick your Q3s such that they will be able to power
the hungriest of your op-amps. The highest-drain op-amp you're likely
to use is about 15mA, so picking Q3s with IDSS higher than this will
cover almost any conceivable case.
That's the simple way to approach the power rail issues. There's
a lot more to this, if you're
interested.
Q24, Q34
These are the output transistors. There are many different transistors
that will work here. Think seriously before trying different ones than
the two recommended types (MJE243/253 and BD139/140). Desoldering six
big transistors without damaging the board isn't nearly as tough as
desoldering the buffers' 18 small-signal transistors, but it's still a
bit of a pain.
Some alternative complementary pairs to look at:
- 2SA1358, 2SC3421
- KSA1220, KSC2690
The main thing to look at here is the tradeoff between bandwidth and
output current. Higher bandwidth often corresponds to higher fidelity,
especially with high-impedance headphones. But higher bandwidth also
tends to trade off against output current. Since higher output current
tends to help low-impedance headphones sound better, it can be worth it
to trade off some of that bandwidth.
Transistors with higher current ratings are also more durable in
the face of an accidental output short. Since all headphone jacks I've
tested have a point where pulling the plug out shorts the right channel
to ground, this is not something to take lightly. You're only likely to
be at risk if you unplug the headphones while there is music playing,
but it's easy to forget this risk.
Another nice benefit of lower bandwidth is that a lower-bandwidth
amp is harder to make unstable.
C1 (electrolytic)
These are the main power reservoir capacitors.
Use 100 µF to 1000 µF capacitors with voltage ratings higher
than that of your power supply. For example, use a 25V capacitor if your
power supply is 24V. 1000 to 2000 µF total C1 capacitance is a good
range to stay within.
You can populate only one position if you want, but I think you
should populate at least two of them; that is, it's better to use
two 1000 µF C1s than one 2000 µF. The reason there are 9
C1 positions is to account for boutique caps such as Black Gates and
Cerafines, which have a low capacitance density. Beware of using the
front-most C1 position in smaller cases: you usually need that space
for the headphone jack.
If you want to get your capacitors from one of the major distributors,
look into the Panasonic FM, Panasonic FC, and Nichicon UPW lines. The
Panasonic FC and the Nichicon UPW are identical. The Panasonic FMs are
a little nicer than the FCs, but there are fewer values and fewer case
size choices in that line. If your chosen distributor doesn't carry
one of these lines, try to find a cap line that features long life and
low ESR.
If you want to choose your own power capacitors, there are
two main rules to keep in mind:
- Bigger is better, within a particular line of capacitors.
- It's usually better to use a lower-capacitance part from a
better line of capacitors than a higher-capacitance part from
a poorer-performing line of caps.
In the PPA amp, there's enough room for rail caps that you shouldn't
have to compromise on quality (rule 2) to get a sufficient amount of
capacitance (rule 1). If you're looking at caps totalling much over
2000 µF you're probably compromising too much on quality; try looking
for a line of capacitors that will let you trade some of that excess
capacitance for higher quality. If you're already looking at the best
capacitor line available to you, you may simply choose to buy smaller
capacitors and save the money. I doubt you can hear the difference.
Now to more specific advice.
First, decide on the capacitor's dimensions. The diameter should be
12.5mm, as these fit best on the PPA board. You can use 10mm caps if you
have to, but that's wasting some of the board's capacity. Don't use caps
skinnier than this, because the lead pitch will be too narrow for the
cap to securely mount on the board. The cap's height will be limited by
the amount of space above your board inside your enclosure. Keep this
maximum height restriction in mind as more of a limit than a goal;
picking the tallest cap that will fit might give a nasty surprise if
you find that your calculations were a little bit off.
Next, you need to know your power supply
voltage. Because the C1s in the PPA go from rail to rail, their
voltage rating must be higher than your power supply's output voltage.
For instance, if you have a 30V supply, 25V caps would be damaged by
the power supply, 35V caps are good, and 50V caps are wasteful. (For
more on this topic, read my article Op-Amp Working Voltage Considerations.)
It turns out that the distance from the V- pad of one of the PPA's
C1s to its neighbor's V+ pad is equal to the lead spacing of 16mm and
18mm diameter caps. The board will accommodate 4 of these larger caps
if your C2s are small enough and you're not using a case where the board
has to slide into rails.
Optional? Only 1 cap required. Up to 8 more can be added if
you use 10mm or 12.5mm caps. Do not jumper.
Largest Part Size: Designed for 12.5mm diameter caps, but 10mm,
16mm and 18mm caps can be made to work without lead bending.
C7 (film)
This is for tuning the bass
boost. Click that link to learn how changing its value changes the
behavior of the bass boost.
In PPA version 2, we made this position much larger, so there's no
longer any excuse for using low-quality capacitors here. It's directly
in the signal path, so you should definitely be using polypropylenes or
other high-quality linear types here.
If you're not very concerned about bass boost quality, you can just
use any random metallized polyester box cap here. There's a reasonable
argument for this: after all, bass boost is already a nonlinear adjustment
to the sound, so how bad could it be to use a nonlinear capacitor to
effect the bass boost? Personally, I think there's some merit to this
argument, but since good polypropylenes really aren't all that expensive,
I don't see a good reason to give into such hair-splitting.
Optional? Yes. Do not jumper.
Largest Part Size: 16mm × 8mm
D1
D1 is in series with the V+ line to the amplifer. Its purpose is to
only allow the amp to power up if the power supply's voltage polarity
is correct. Without reverse voltage protection, the op-amps and some
of the parts in the buffer circuits will be damaged, or even completely
destroyed.
A diode has a small drop across it. If your amp is wall-powered,
this voltage drop isn't a problem because you can pick the wall supply's
voltage to be high enough that this drop is insignificant. If your amp is
battery-powered, it's not so easy to say "use more batteries", but in fact
you have little choice in the matter: D1 on the amp board and D2 on the
battery board form a diode OR bridge, which ensures
that only the supply with the higher voltage powers the amp. Since the
wall supply should always be higher in voltage than the battery pack's
voltage, the amp runs from the wall supply when it's available and from
the batteries otherwise.
Optional? Technically, yes, but you'd better have a very good
reason to jumper across it.
R3, R4, R5, R6
These are the feedback resistors, which set the
amplifier topology and the gain. Because the PPA is
a high-end amp, the only topology we support is the Jung
multiloop topology, which uses all four resistors.
The values given on the schematic
are good for most purposes.
The only value you're likely to need to change is R4, to adjust the
gain. You could instead adjust R3, but this would upset the impedance
balance at the inputs of the op-amp, increasing distortion.
If you were to use a slow or cheap op-amp, you might want to change
R5 and R6, but that goes against the nature of the PPA; you should build
a PIMETA if you want to use such op-amps.
Optional? If you want a "true" PPA, no.
RLED
This is the power indicator LED's current limiting resistor. You use
it instead of the LED cut-off circuit if your amp
doesn't use batteries, or you just want a simpler LED configuration. It
can be a 5% carbon type; the exact value isn't at all critical.

where:
Vs is the power supply voltage, rail
to rail
Vf is the LED's forward voltage drop
If is the desired current through the LED
1 mA gives enough brightness for a power indicator with most LEDs,
but some may require a bit more. The limit for most LEDs is 20 to 40
mA, but even approaching that much current makes the LED too bright for
my taste.
Typical values for RLED are 1 KΩ to 10 KΩ, depending on
the power supply voltage and the LED being used.
Optional? Add RLED if you don't use the LED
cut-off circuit. Leave it out otherwise.
FET, RFET, ZNR
This subcircuit is an alternative to RLED. It works best with battery
powered amps that have enough supply voltage that they are able to
completely drain the battery pack before they start clipping with
your headphones. If this is not your situation, using RLED probably
makes more sense. (If you're not sure which situation pertains, read
the article Op-Amp Working Voltage Considerations.)
Rechargeable batteries drop quickly in voltage from their fully-charged
state, then stay near 1.2V per cell for most of their useful life, then
drop off in voltage quickly as they deplete the last of their charge. If
you use RLED in this situation, the LED will vary in brightness as the
batteries drop in voltage. You might be able to look at the LED and make
a guess at how much longer the amp will run, but it would be better if
the LED directly indicated remaining battery life. That is the purpose
of this circuit.
FET and RFET make a constant current source, keeping the LED at a
constant brightness even as the battery voltage drops. You will need to
try various values for RFET to get a given current through the FET, since
each FET is different. I just touch values into the position with the
amp's power on until the LED's brightness is acceptable. Alternatively,
you can pick JFETs by testing them for IDSS and jumpering across RLED. A
third option is to use a CRD instead of FET and RFET.
ZNR is a reverse-biased zener diode. In this circuit, it indirectly
sets the voltage at which the LED will shut off. NiMH cells are spent
at about 0.9V. To give some warning between the time the LED turns off
and the amp starts sounding bad, let's make the LED turn off when the
cells are at 1.0V apiece instead. Let's say you have a 12-cell battery
pack and a 5.1V LED. A common zener voltage is 6.8V; if you add that
to the LED voltage drop, you get 11.9V, close enough. The batteries are
dead at about 10.8V, which should give us enough warning before the amp
starts sounding bad. If not, you can swap out the zener for one with a
higher voltage drop until you get the behavior you want.
The holes for the zener aren't big enough to accommodate big power
zeners. You should only use the DO-35 type, as their legs are thin
enough to fit in the holes.
Optional? Yes. Do not jumper.
CRD
This is a pad near RLED. You put a CRD (Current Regulating Diode)
across RLED to this pad instead of using FET and
RFET. A CRD is in fact a FET with a source resistor, trimmed to a
specific current value and packaged as a small 2-lead device. They're
much more convenient than making your own current source with a FET
and resistor, and accordingly they're more expensive. If your time is
valuable, they're a good deal.
I recommend the 1N5283-1N5314 series CRDs, which are available in
the DO-35 package.
Optional? Yes. Do not jumper.
Resistor Sizes
Except for the output resistors, the resistor
pads on the PPA board are only 300 mils apart, which limits the size of
the resistors you can use. Standard 1/4W metal film and carbon resistors
will fit in the board without a problem.
If you use Vishay Dale CMF series resistors, use the RN55 series.
These are specified as 1/8W, but at the temperatures your amp will see,
they're actually good for 1/4W.
Choosing a Power Supply
A power supply voltage somewhere in the 10 to 30V range will serve
you best with this amp. More voltage will probably hurt more than it
helps, and lower voltage will require very careful part choices to make a
workable amp. For the full ugly details on how to measure and calculate
your way to the ideal power supply voltage level for your situation,
see my article Op-Amp Working Voltage Considerations.
If you're going to use batteries, you must use rechargeables; alkalines
are not capable of continuously putting out the high current level
that this amp requires. There is a companion
battery board which includes a charging circuit so you never have
to remove the batteries from the amp until they're completely dead. See
that section for info on how using the battery board affects the wall
supply voltage you need.
If you want a wall supply that's better than almost any commercial
offering, take a look at the STEPS. (Bench tests.) While the PPA is less sensitive
to power supply noise than many headphone amps, better power quality
never hurts.
Whatever power supply you use, it must be an isolated type: i.e. none
of the output leads can be electrically connected to the input leads. If
it isn't isolated, the virtual ground setup of the amp will often
interfere with the grounding setup of other equipment plugged into the
amp. Also, if you use a metal case, virtual ground will probably be tied
to the case through the pot chassis and/or the input jacks. In order
to avoid the problem of tying V- to virtual ground through the case,
the DC input jack needs to be isolated from the case. The recommended
DC input jack is plastic for this reason.
Choosing a Volume Control
The board is designed to accept an ALPS RK27 potentiometer —
called by some the "Blue Velvet". This is not the only thing that
will work, but unless your choice of volume control shares the RK27's
footprint, you'll have to hand-wire it to the board.
Stepped attenuators can be better than potentiometers for reasons
described in my article, Notes on Audio Attenuators. There is a
stepped attenuator built as an ALPS RK27 clone, but I tried it once
and I didn't like its performance. If you go with a stepped attenuator,
it'll most likely be bigger than an RK27, and you'll have to hand-wire
it to the board. Keep this in mind when selecting your
amp's enclosure.
The most useful value for a headphone amplifier's volume control
is 50 KΩ. If you choose a lower value, the source can have a
significantly harder time driving the amp, in which case the source
will sound worse. If you choose a higher value, the amp's noise floor
will rise, possibly audibly. Some people choose 10 KΩ to lower the
noise floor when they know their source is strong enough to drive it,
but we haven't found the noise from a 50 KΩ volume control to be
a problem. (See the benchmarks.)
Choosing an Output Jack
It's not obvious from studying the PPAv2's circuit that if you're
using a metal case, your output jack needs to be an isolated type. A
non-isolated jack connects the ground connection to the chassis; since
the chassis is probably tied to input ground by way of the pot or the
input jacks, this will short out the ground channel. At best, shorting
out the ground channel makes it useless, and at worst it will cause it
to become unstable.
The easiest way to deal with this is to use a fully isolated jack,
like the Neutrik NJ3FP6C or the Switchcraft N112B. (Part numbers for
both are given in the parts list.) Another common type has plastic
mounting threads but there's a metal contact that goes to ground and
is meant to touch the inside of the panel when you mount it. You simply
have to slip a plastic washer onto the jack's snout before mounting it
to make it fully isolated. The Switchcraft RN112BPC jacks mentioned in
the parts list are this way. Keystone has a line of nylon washers that
you can use to isolate this sort of jack.
On Output Shorts in PPAv2
The output buffers in PPAv2 do not have output current limiting. That
means that it is theoretically possible for an output short to
destroy either the output resistors or
the output transistors, or both. Since the
tip-ring-sleeve plugs used on headphones have a design flaw that shorts
the right channel to ground within the jack while pulling the headphone
plug out, it's worth considering the consequences of an output short.
The output resistors are the easiest to deal with. We made space for up
to 2 W resistors here. To push 2 W through 2.2 Ω, you need about 2
Vrms. That much voltage is definitely excessive with a lot of headphones,
but it's only pushing the safety limit a little bit with some. Raising
the output resistor to 4.7 Ω pushes the voltage requirement up to
about 3 Vrms, a comfortable safety margin. The highest value you should
use is 10 Ω — distortion gets too high otherwise — which
allows you to get away with putting over 4 Vrms across this resistor.
There's another aspect to the output resistors: their presence means
the output is never actually "shorted": there's always at least 2R in
series with any output short, where R is the value of R24/34. Henceforth,
we will use this value, rather than considering true short circuits.
As for the output transistors, there is no simple answer here:
one has to do the engineering.
Let's try to get a handle on what it takes to get into trouble with
the MJE243/253. We'll say that the maximum output voltage will be 6
Vrms, which is about 8.5 V, peak. This transistor's safe operating
area curve tells us that the current limit is about 2A with that much
voltage across it. To force that much current through two 2.2 Ω
output resistors, we'd have to develop 8.8 V across them. So indeed,
we are barely able to exceed the limits here. It's a bit of a stretch,
though, because 6 Vrms is excessively loud in all headphones I'm aware
of. For practical purposes, then, it doesn't seem likely that you can
kill MJE243/253s with 2.2 Ω output resistors.
Just looking at the front page of the BD139/140 datasheet tells us
we're not going to be so lucky with this transistor. It has a 1.5 A
nominal maximum, and with our self-imposed voltage limit, the SOA curve
tells us that the real current limit is more like 1 A. We only need about
3 Vrms to push that kind of current through 4.4 Ω. But again, this
is still louder than anyone should be listening. We're on much less firm
ground here, but it still seems reasonable to say that we're not likely
to blow up the output transistors.
There's another side issue that isn't terribly relevant, but it's
worth examining it to see why because so many people get caught by
it: the power supply. A simplistic view is that a wall power supply is
likely limited to something on the order of an amp or two. That's within
even the pessimistic limit we set for ourselves with the MJE243/253
transistors. The thing is, the rail cap bank has to discharge before
that limit matters. The rail cap bank impedance probably isn't even
10 mΩ. You can get stupid-high currents with even low voltages
with that little impedance in the way. And if your power supply is a
battery pack, it's going to have a continuous current ability of several
amps and a flash current ability up in the tens of amps. My advice is,
don't depend on power supply current limiting to save you. Add a fuse
at the amp's DC input if you wish, but it's the downstream components
where you should concentrate your efforts.
In conclusion, there are two practical things you should consider if
the lack of output current limiting worries you. First, use MJE243/253
output transistors, or something else equally studly. Second, consider
raising the output resistor, possibly as high as 10 Ω.