While reading through these parts lists, you may find it handy
to have a copy of the schematic
to refer to. (PDF, 4 KB)
Required Parts
These are the parts required to build just the amplifier
circuit. Enclosures, optional components, and enhancement components
are in the next section.
I've been happiest with the parts from Digi-Key and Newark. Mouser
sells cheap parts, in both senses of the word, so you do have to be
careful when buying from them. Radio Shack's part quality varies all over
the map, but the worst thing is that their overhead inflates their prices
dramatically relative to the distributors. If you do get some of your
parts from Radio Shack, beware that the part numbers I give below are
the highest quality ones they offer of each type; I recommend you don't
pick cheaper parts, as the cheaper ones always perform worse.
For those not in the US, I've added RS Components, who will ship almost
anywhere in the world. All the parts numbers are simply a result of me
searching through their online catalog. Many times I was able to find
the same parts I recommend from the other distributors, but occasionally
I had to just guess at a replacement, hoping that it is suitable.
Of the US distributors, Digi-Key is probably the best for
people outside the US to use. Other distributors those outside
the US might investigate are Farnell and
Conrad. Farnell is actually part of the same
company as Newark, but their part numbers aren't unified, and they don't
carry all the same parts.
You'll probably end up getting the op-amps from Digi-Key or RS
Components. If you didn't want to order from these distributors but
wanted to put together a complete amp with parts from just one
source, you'll probably have to choose an op-amp other than the
ones I recommend below. I don't recommend that a beginner use
anything but the OPA13x series op-amps, because they're simply the
most forgiving op-amps that also sound good.
The best path will require ordering from multiple sources. Unless
you want to build an amp in a day including the time to get the parts,
there's little reason to get Radio Shack parts; the big mail-order
houses have everything Radio Shack has and more, for cheaper, with better
quality. I highly suggest you mail order everything you can, if you can
stand waiting a week for the parts to arrive. The one exception is the
protoboard: most of the mail-order houses only carry the expensive stuff
designed to handle repeated soldering and desoldering. Since you'll be
building the amp once and probably then leaving it alone, you might as
well use the cheap protoboard from Radio Shack or RS Components.
Some components are marked "Alt.". These are alternatives for the
immediately preceding component.
For superior resistors that are easily distinguished from the generics,
see the Precision Resistors section, below.
| Description |
Qty |
ID |
RadioShack |
Digi-Key |
Newark |
Mouser |
RS Components |
| 220 µF 35V electrolytic capacitor, radial leads |
2 |
C1 |
272-1029 |
P5552 |
18C4706 |
647-UVR1V221MPA |
315-0726 |
| Alt. 220 µF capacitor, 25V |
2 |
C1 |
– |
P5541 |
18C4672 |
75-517D25V220-E3 |
365-4133 |
| Alt. 220 µF capacitor, 16V |
2 |
C1 |
– |
P5530 |
18C4617 |
– |
365-4060 |
| 0.1 µF 50-plus volt full-size film cap* |
2 |
C2 |
272-1053 |
P3104 |
89F3466 |
75-715P200V0.1 |
240-5384 |
| Alt. 0.1 µF 63-plus volt polyester cap (box type) |
2 |
C2 |
– |
3013PH |
46F3685 |
505-MKS2.1/63/10 |
179-9880 |
| Alt. 0.1 µF 63-plus volt polyester cap (standard type) |
2 |
C2 |
272-1069 |
– |
– |
– |
– |
| 10 KΩ 1/4W metal film resistor |
1 |
RLED |
– |
10.0KXBK |
84N1687 |
271-10K-RC |
148-736 |
| 4.7 KΩ 1/4W metal film resistor |
2 |
R1 |
– |
4.75KXBK |
50N2120 |
271-4.7K-RC |
148-663 |
| 100 KΩ 1/4W metal film resistor |
2 |
R2 |
– |
100KXBK |
84N1685 |
271-100K-RC |
148-972 |
| 1 KΩ 1/4W metal film resistor, gain 11 |
2 |
R3 |
– |
1.00KXBK |
84N1712 |
271-1K-RC |
148-506 |
| Alt. gain resistor, 2.0 KΩ, gain 6 |
2 |
R3 |
– |
2.00KXBK |
84N1736 |
271-2K-RC |
148-578 |
| Alt. gain resistor, ~2.5 KΩ, gain 5 |
2 |
R3 |
– |
2.49KXBK |
92B9453 |
271-2.55K-RC |
148-590 |
| Alt. gain resistor, 3.3 KΩ, gain 4 |
2 |
R3 |
– |
3.32KXBK |
84N1757 |
271-3.3K-RC |
148-629 |
| Alt. gain resistor, ~4.7 KΩ, gain 3 |
2 |
R3 |
– |
4.75KXBK |
50N2120 |
271-4.7K-RC |
148-663 |
| Alt. gain resistor, 10 KΩ, gain 2 |
2 |
R3 |
– |
10.0KXBK |
84N1687 |
271-10K-RC |
148-736 |
| 10 KΩ 1/4W metal film resistor |
2 |
R4 |
– |
10.0KXBK |
84N1687 |
271-10K-RC |
148-736 |
| Alt. 1/4W metal film resistor assortment |
1 |
R1-R5 |
271-0309 |
– |
– |
– |
– |
| Dual op-amp OPA2132PA |
1 |
OPA |
– |
OPA2132PA |
– |
– |
218-8281 |
| Alt. dual op-amp OPA2132P |
1 |
OPA |
– |
OPA2132P |
35C1844 |
– |
– |
| Alt. dual op-amp: OPA2134PA |
1 |
OPA |
– |
OPA2134PA |
– |
– |
285-8069 |
| Power indicator LED, red diffused, 3mm |
1 |
D1 |
276-026 |
160-1708 |
90F5862 |
859-LTL-1CHE |
588-386 |
| Alt. power LED, amber/yellow |
1 |
D1 |
– |
160-1709 |
96F2333 |
859-LTL-1CHY |
588-392 |
| Alt. power LED, green |
1 |
D1 |
– |
160-1710 |
87F393 |
859-LTL-1CHG |
589-014 |
| Stereo mini jack (3.5mm) |
2 |
IN/OUT |
274-0246 |
CP-3513 |
96F9608 |
502-35RAPC4BH3 |
476-328 |
| Alt. input jacks (RCA; black, white and red) |
2 |
IN |
274-0346 – – |
CP-1412 CP-1414 CP-1413 |
84N1165 – – |
161-2003 161-1004 161-2002 |
476-586 – 476-592 |
| Alt. output jack (1/4" stereo) |
1 |
OUT |
274-0312 |
SC1125 |
84N1155 |
16PJ509 |
449-348 |
| Protoboard (recommended type) |
1 |
BOARD |
276-0150 |
– |
– |
– |
– |
| Alt. protoboard (simple "stripboard"**) |
1 |
BOARD |
– |
– |
– |
– |
206-5841 |
* All the film caps are polypropylene types
except the Radio Shack one, which is polyester. Polypropylene is
better, so avoid the Shack on this one, if you can.
** If you must use stripboard (such as because
you can't get the recommended perfboard style), you will need to
have some way to break the copper strips at strategic points. RS
Components sells a stripboard cutter (543-535) for this purpose.
Alternately, you could simply use an X-acto knife, which will not
produce breaks as definitive as the stripboard cutter, but should
suffice.
| Description |
Qty |
RadioShack |
Digi-Key |
Newark |
Mouser |
RS Components |
| DIP-8 IC sockets, gold contacts |
1 |
– |
AE7313 |
14F2712 |
575-113308 |
813-115 |
| Power switch (mini SPDT* toggle) |
1 |
275-0625 |
360-1788 |
61F1245 |
– |
330-840 |
| Alt. power switch (mini SPST toggle) |
1 |
– |
– |
13F3970 |
– |
– |
| Alt. power switch (micro** SPST toggle) |
1 |
275-0624 |
– |
– |
10TA805 |
– |
| 5.5/2.5mm DC power jack (standard) |
PWR |
274-1576 |
– |
– |
163-4024 |
– |
| Alt. DC power jack (closed circuit) |
PWR |
– |
– |
– |
163-4305-E |
– |
| Volume knob (plastic, single bar indicator) |
1 |
274-0403 |
8568K |
57F2374 |
450-2070-GRX |
259-6941 |
| Alt. volume knob (aluminum; black anodized
and silver) |
1 |
– 274-424 |
226-1041 226-2041 |
92N4099 92N4096 |
450-7031 45KN031 |
196-5829 196-5813 |
| Alt. volume knob (aluminum, black anodized
and silver) |
1 |
– |
226-1033 226-2033 |
92N4093 92N4095 |
450-7015 450-6015 |
498-845 498-918 |
| R5, 47 Ω 1/4W metal film resistor |
2 |
– |
47.5XBK |
84N1767 |
271-47-RC |
148-174 |
| Alt. R5, 100 Ω 1/4W metal film resistor |
2 |
– |
100XBK |
84N1686 |
271-100-RC |
148-269 |
| 9V battery clip (not needed for Serpac H-65) |
1 |
270-0324*** |
2238K |
16N942 |
534-2240 |
– |
| Enclosure, Serpac H-65-9V (black and bone) |
1 |
– – |
SRH65-9VB SRH65-9VA |
– – |
635-H-659V-B 635-H-659V-A |
– |
| Volume control, Panasonic 10K, horizontal mount
(EVJ-C20) |
1 |
– |
P2U4103 |
– |
– |
– |
| Alt. volume control, Alps 10K (RK097)**** |
1 |
– |
– |
– |
– |
249-9159 |
* Although you only need an SPST for power,
SPDTs are more common, probably because it's just as easy to make them
as SPSTs and you can use them like an SPST by just leaving the second
pole disconnected. Since they're more widely useful than SPSTs, some
manufacturers only make SPDT toggles. (Or at least, distributors don't
often carry the SPST variants if the manufacturer does make them.)
** These "micro" switches are the smallest type of
toggles you can easily find. Micro toggles tend to be rather delicate,
especially the bushing area. I've broken two of the Radio Shack micro
toggles when tightening the mounting nut. I haven't broken one of the
Mouser micro toggles yet, but I don't know if it's because I'm wary now
or that they are better built. If you can afford the space, I recommend
that you use standard mini toggles instead. They're much tougher, and
they often look better, too.
*** This part number is for Radio Shack's
heavy-duty battery clips. Radio Shack also sells a cheaper set of clips
(RS 270-0323) which suck, badly. Avoid, avoid, avoid.
**** I sell a similar pot to this one in my
parts shop. The main advantage of the ALPS RK097
that I sell over the Panasonic EVJ I recommend above is that the ALPS has
a built-in power switch: you turn the volume all the way down to turn the
amp off. This helps keep your panels neater, and saves a bit of money.
Precision Resistors
All resistors spec'd above are generic 1% metal film resistors.
Generic resistors work fine, but many people swear by premium
resistors because of their higher inherent accuracy and higher thermal
stability. (The latter means that as the resistor heats up due to the
power it's dissipating, it changes value less than generic resistors. All
resistors change value as they change temperture; premium resistors
simply change value to a lesser degree.)
The most popular brand for this is Vishay-Dale's CMF
(a.k.a. RN) series. Specifically, the RN55x-F (1%) type. (For
full details on how to interpret these CMF values, see the
CMF data
sheet.) Vishay-Dale CMF resistors are more expensive than generics,
but in the quantities needed for this amp, the additional cost is
negligible.
The Vishay CMF line also has 0.1% resistors, but you do not need
that level of precision for this amp. If you do anything to get
more accuracy, it should be to use a good multimeter to
hand-match your resistors to higher tolerances.
That may provide some audible improvement to some ears, but realize
that this is relative matching. The point of buying 0.1%
resistors is that their absolute values are within 0.1% of
nominal. There are very few places in audio where absolute value
accuracy is important.
If you can't get Vishays but still want to try premium resistors,
RS Components offers the RC series from Welwyn. I've never heard a
report about whether these are an improvement over generics, but the
specs suggest they're on par with Vishay-Dale's CMF series. They're
physically a bit bigger since RS only offers the 1/4W resistors, but
the price is similar to 1/8W 1% Vishays.
Herewith, part numbers for Vishay-Dale RN55C/D resistors in all the
values given above:
The Radio Shack Metal Film Resistor Assortment
Radio Shack's part number 271-0309 is a package containing 50
1/4W assorted metal film resistors, including all values necessary
to complete this project. One package is sufficient for two CMoy amps,
with the exception of the 10 KΩ resistor: it only has five of these,
and you need three for each amp.
Since this assortment is the only way to get metal film resistors
at Radio Shack, you will have to get a bit creative to avoid buying
two packs of resistors if you want to make two amps. One way is to
also get a 5-pack of 10 KΩ carbon film resistors (RS 271-1335)
and use these for RLED. (The power LED's current-limiter.) Metal film
resistors are nicer than carbon ones, but for the LED resistor, their
virtues don't matter. Another way you can go is to use a different value
for this resistor than the CMoy schematic calls for. See the section
on tweaking the LED resistor
for details.
Circuit Board Alternatives
This tutorial is centered on the Radio Shack 276-0150 patterned
perfboard. The Radio Shack brand is US-only, but those in other
parts of the world do still have options here.
In Canada, there's a store called The
Source by Circuit City that is basically the Canadian version
of Radio Shack. Just search for part number "2760150" on their web
site. (They don't use the dash for some reason.) No problem there.
In the UK, Radio Shack used to operate under their Tandy brand
until several years ago. Since then, a new company called T2 has
emerged to sell much of what Tandy used to, including
the patterned perfboard we use in this tutorial. They will ship
to many other countries in the world.
In Australia, you can get this same board at Dick Smith Electronics.
It's part number 21-113.
In Japan and probably other areas of Southeast Asia, you can
find part number ICB-86 by the Sunhayato company, which again is
all but identical to the Radio Shack board we use here. There is
an alternate version of the board, part number ICB-86G, which uses
a higher-quality epoxy-fiberglass board, rather than the cheaper
phenolic paper construction.
If none of those options work for you, the best alternative I
can give you is part number 1172142 from Farnell. This isn't precisely
the same pattern as on the Radio Shack board, but it's close enough
that it doesn't require major modifications. I haven't tried it,
but it looks like you just need to substitute a few bus strip cuts
for the M jumpers I use on the RS board.
If you must use a much different type of protoboard, I recommend
against trying to use the same parts layout I came up with for the
Radio Shack board. Instead, create a new layout tuned to that
pattern. If your board has a very generic pattern, such as stripboard
or pad-per-hole board, I'd probably just go with a point-to-point
layout: all the connections are made direct from one part lead to
another on the bottom side of the board, instead of going through
copper foils on the board itself.
You can read more about different types of prototyping boards
here.
Choosing an Op-Amp
The op-amp (operational amplifier) is the chip that does the actual
amplification in the CMoy circuit. It has the single biggest effect
on sound and power draw of any component, so it behooves you to pick
this part carefully. It's also the part most likely to fail if your
implementation is imperfect; a tolerant op-amp will reduce the chances
of failure.
If you're a raw newbie, I recommend that you try one of the
Burr-Brown OPA132/134 series op-amps first because they have low voltage
requirements, they don't oscillate easily (see below), the lowest grade
is adequate for this project and is quite reasonably priced, and they're
very popular so a lot of your fellow DIYers are familiar with them and
so can help you more easily. I won't say they're easy to find; you'll
probably have to mail-order one. Take my word: these are very good chips
for the price. Any replacement you try and source locally will likely
not perform as well.
("Oscillation" is a condition where the chip develops periodic or
constant noise due to problems in the surrounding circuit. If you keep
at this hobby, you will eventually develop the necessary knowledge and
experience to avoid oscillation in your circuits. Until then, stick with
tolerant op-amps.)
The specific chip I recommend for beginners is the OPA2132PA. Under
ideal conditions, the cheaper OPA2134PA performs just as well, but your
first DIY headphone amp probably won't be flawless. I've had circuits
where the OPA2134PA would distort or oscillate, but popping in a 2132PA
or 2132P would fix the problem. As a beginner, you don't need problems
like this. You'll have enough difficulties just assembling and testing
the thing without the op-amp acting up as well! If you later want to
build another amp, go ahead and try the 2134PA. If you run into problems,
you can pull the 2132 out of your first amp temporarily and try that in
the new amp to see if it fixes the problem.
As for the OPA2132P, it's about twice the price of the 2132PA, and I
can't hear a difference relative to the 2132PA. This isn't surprising,
since the only specs that are different between the two chips are the DC
specs, and there is no DC in audio.
If you think you might want to try different op-amps in your headphone
amp, it's all but mandatory that you use DIP sockets in your design so you
don't have to desolder the chip to try a new one. Sockets are useful even
if you never change the chip since they prevent damage to the sensitive
op-amp chip during soldering. However, you should only use high-quality
machined sockets. If you can only find cheap sockets, you're better off
just soldering the op-amp to the board, because a cheap socket will result
in weak connections, which is a serious risk factor for bad sound.
I review many other op-amps in the companion article,
Notes on Audio Op-Amps.
Choosing an Enclosure
There are two main kinds of enclosures used for pocket amps: plastic
enclosures designed to house electronics, and various types of boxes
designed for other uses and converted to hold an amp. The latter includes
the popular mint tins, plus other found objects.
For general portable use, I like the Serpac H series cases. The
H-65 (1.0
× 2.75 × 4.95 in.) has plenty of space inside for a
CMoy circuit, and its rounded corners and slim body give it a sleek
look. The overall impression is of a pocket cigarillo case; it slips
into a pocket very nicely. The H-65-9V variant has a nice 9V battery
compartment: it holds onto the battery snugly, and the contacts are
fixed into place instead of using a 9V battery strap. There is a
taller version called the H-67. While the 9V version of the H-67
only holds one battery, the "AC" version has a battery door without
a battery compartment behind it; you can stuff two 9V batteries in
there. You'll have to add some padding and such to keep the batteries
from rattling around inside the case if you go this route.
If you're thinking of going with a much larger case but still want
to be able to run from batteries, I recommend adding a Bulgin dual-9V
battery drawer to one of the larger cases (Mouser part #122-BX0026).